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Tyler Perry’s latest domestic drama Why Did I Get Married Too? presents us with four black American males in crisis with their wives

Dinner for Schmucks is a truly terrible comedy has Paul Rudd invited to a dinner by his bosses at which the dumbest guest will be the attraction

Jimmy Hayward’s screen version of the popular DC comic Jonah Hex looks like an attempt to make a spaghetti Western in America

If only more musicians would grow old like Robert Plant. Acknowledging that heavy rock is best left to the kids

Bestselling author Nick Hornby’s love of pop is well documented — now he is putting his own words to someone else’s music

Today the film-going experience has to be fabulous, says BFI director Amanda Nevill — which is why she’s on a crusade to make up the £50m public funding lost for a new national film centre in London

The Switch is no great shakes but it sure is better than some of the awful rom-coms we’ve been treated to recently

Abbas Kiarostami’s enigmatic romance confirms he is one of cinema’s greats — but it’s the performance from Binoche that gives Certified Copy real heart

Bruce Norris’s Clybourne Park is an achingly intelligent study of middle-class hypocrisy

South Ruislip lads Scouting For Girls took time out of their busy schedule to talk London, fame and a 'weird but amazing' collaboration with Kit Kat

Who said today’s youth has the attention span of a gnat? Incomplete it may be but Bruckner’s Ninth Symphony demands 60 minutes of focused attention

Julian Schnabel, the New York painter and film maker, has studied victims and outsiders in each of his last three films. Miral is no different

Though still uncommunicative and inclined towards heavy, distorted rock, Eels' Mark ‘E’ Everett came close to being perky

Tangerine Dream Café at the Chelsea Physic Garden falls under the “secret” category, in terms of its hidden location in London’s oldest botanic garden

Tom Aikens' resurrected empire is expanding once more, with a new Tom’s Kitchen at Somerset House, selling posh comfort food to the West End masses

After a mystery illness and his dramatic withdrawal from Alan Bennett’s The Habit of Art last year, Michael Gambon returns to the stage in Krapp’s Last Tape

Psychological thriller Black Swan, which opens the Venice Film Festival, is Darren Aronofsky's most complete and convincing work yet

Jazz, dinner and Grade II listed surroundings make Saturday nights at 1 Lombard Street deliciously charming

For those cautious of cycling on London's busy roads, it's worth getting on your bike this Sunday September 5

In the case of Engelbert Humperdinck’s Hansel and Gretel, there were even some theatrical coups that Glyndebourne didn’t get

Developed at the National Theatre Studio, Oikos is a study of rancid domesticity that’s also an apocalyptic vision of environmental meltdown

With big names on the bill South West Four was destined to be epic and (mostly) did not disappoint

Jeremy Hunt and Ed Vaizey are keen to move the debate on from cutting, towards encouraging arts companies to think about ways they can obtain philanthropic support

Zadie Smith became a globally acclaimed novelist, her brother was in the dark world of rap. Now, with the help of his sister, Doc Brown has started a new life — as a comic

The BBC Concert Orchestra's Prom, its first under its new principal conductor Keith Lockhart, hinted at its range